Suchergebnisse

The use of documentaries and newsreels as a source for the study and dissemination of the educational memory gives us access to the visions promoted by different ideological groups. The nature and differences in perspective in the newsreels and documentaries produced during the Spanish Civil War are especially notorious, providing us with a glimpse of a time when novel aesthetic and narrative content came together to facilitate the the creation of collective imaginaries as proposed by the different political parties. Studies of this historical period have necessarily resorted to summaries and campaigns of this historical-educational heritage ; El uso de documentales y noticiarios como fuente de estudio y divulgación de la memoria educativa nos permite acceder a las visiones promovidas desde los diferentes grupos ideológicos. Esta posibilidad es especialmente manifiesta en los noticiarios y documentales producidos durante la Guerra Civil Española. Momento en el que la forma estética y los contenidos narrativos se fusionan dando voz a los imaginarios propuestos desde las diferentes formaciones políticas. Para posteriores estudios detallados,se ha considerado necesario la recopilación y difusión de este patrimonio histórico-educativo

As the result of two research projects about documentaries and newsreels produced in Spain between 1914-1939 and 1939-1970, we discovered different silences and rumours which had an impact un the memory and the history of education. We know that those silences and rumours were applied systematically as part of a national policy, affecting mainly the vulnerable population and stymieing any attempt at changing the situation. It is important that we understand why those silences and rumours persist nowadays and how the history and memory of education confront them. The silences, like the manipulations, make up a part of our past, yet they still have effects today. And this is true not only with Francoism; in different totalitarian systems, as well as during violent historical episodes, there has been a habit of imposing silence. The same thing has occurred withnewsreels and documentaries. Different responses have attempted to address this problem and its effect on the recuperation of educational memories, and it ultimately depends on political, cultural and social contexts. In researching and disseminating one's own past, the sensation of uneasiness is inherent to the process. The educational memory assumes this apprehension when it is developed as complex history which explains the lived educational experiences that are being related. In this article, we explore some of the premises and the potential of fragile memories and complex stories forming part of an intentional research program around audiovisual sources produced as propaganda in a totalitarian political framework. The different lines of research pursued in the aforementioned projects, but not exclusive to them, reinforced the need to advance in those methodologies that could bring together the different paths connecting the common elements and allowing for the possibility of narrating the silence with the perspective of a social history linked to justice and democracy. ; Después de la realización de los proyectos de investigación sobre los documentales ...